A consistent visual identity reinforces who we are and what we stand for. This page provides everything you need to represent Oblate School of Theology accurately and professionally — from logo files and color palettes to typography and design guidelines. When we all use the same visual language, our materials speak with one unified voice.
Click an accordion to expand
Logo Usage Guidelines
Guidelines for proper use of the OST logo — including minimum size requirements, clear space rules, and common misuses to avoid. Following these standards ensures the logo remains legible, consistent, and recognizable across all materials.
Correct Logo Spacing
1 inch
PRINT & DIGITAL Never scale the logo below 1.0 in Wide. Never scale the logo below 75 px Wide.
0.5 inch
PRINT & DIGITAL Never scale the logo below 0.5 in Wide. Never scale the logo below 36 px Wide.
To maintain even logo spacing use the “O” as a way to measure evenly around the logo. This will ensure logo legibility.
Logo Misuse
Do not distort the logo in anyway. The logo must maintain its structure to be legible and recognizable.
Do not remove 'School of Theology' or crop the logo in any other way. The logo should be used as is or in icon form only.
It is important not to distort the logo in anyway. Do not use any effects that will distort the logo and reduce legibility.
Use the branded colors listed in the brand guide for the logo and icon. To maintain clarity and contrast, do not use two closely related colors on or behind the logo marks.
Logo Files
Download official OST logo files below. Use these approved files for all print and digital materials.
Primary Logo
The primary logo is the preferred mark for most applications — use it whenever space allows. It includes the full icon and wordmark and should be the default choice for print, web, presentations, and official communications.
Secondary Logo
The secondary logo is an alternate layout of the primary mark for use when a horizontal or more compact format is needed. It still includes the full wordmark and should be used only when the primary logo is not a good fit for the layout.
Typography
Typography
Helvetica Neue
Roman
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Medium
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Medium Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Bold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Baskerville
Regular
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Semibold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Semibold Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Bold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Alternative Typography
Times New Roman
Regular
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Bold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Bold Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Arial
Regular
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Bold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Bold Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Colors
Oblate Blue
Oblate Gold
Gray
Light Gray
White
“Inspired by the charism of the Missionary Oblates of Mary Immaculate, Oblate School of Theology (OST) educates, forms, and renews men and women to “preach the Gospel to the most abandoned.” OST is a community of scholars and students who respect and celebrate global cultural diversity through various languages, traditions, and backgrounds firmly rooted in Christ.”